Translations:CP 03292/11/en: Difference between revisions

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<ref name="n2"> Note 2 </ref>
<ref name="n2"> This refers to the ballet Parade, based on a composition by Jean Cocteau, music by Erik Satie, choreography by Léonide Massine, sets and costumes by Pablo Picasso, which was very badly received. The scenery represented an urban design in cubist style. An acrobat wore a blue and white costume. The programme for the first performances included texts by Apollinaire and Léon Bakst (Jean Cocteau, Entre Picasso et Radiguet, Paris, 1967, p. 69-71). Photographs of the performance are held in the collections of the Victoria and Albert Museum: see one of the photographs showing the acrobat and his costume with white astragals. A reconstruction, faithful to the original choreography, musical score, scenery and costumes, has been
attempted (Susanna Della Pietra, 2008). [PK, CSz, NM] </ref>

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<ref name="n2"> Il s'agit du ballet Parade, sur un thème de Jean Cocteau, musique d'Erik Satie, chorégraphie de Léonide Massine, décors et costumes de Pablo Picasso, qui fut mal reçu. Le décor représentait un cadre urbain, dans le style cubiste. Un acrobate portait un maillot bleu et blanc. Le programme des premières représentations reproduisait des textes d'Apollinaire et de Léon Bakst (Jean Cocteau, Entre Picasso et Radiguet, Paris, 1967, p. 69-71). Des photographies du spectacle sont conservées dans les collections du Victoria and Albert Museum : voir l'un des clichés de l'acrobate et son maillot aux astragales blanches. Une reconstitution, fidèle à la chorégraphie, à la partition, aux décors et aux costumes, a été tentée (Susanna Della Pietra, 2008). [PK, CSz, NM] </ref>

[1]

  1. ↑ This refers to the ballet Parade, based on a composition by Jean Cocteau, music by Erik Satie, choreography by Léonide Massine, sets and costumes by Pablo Picasso, which was very badly received. The scenery represented an urban design in cubist style. An acrobat wore a blue and white costume. The programme for the first performances included texts by Apollinaire and Léon Bakst (Jean Cocteau, Entre Picasso et Radiguet, Paris, 1967, p. 69-71). Photographs of the performance are held in the collections of the Victoria and Albert Museum: see one of the photographs showing the acrobat and his costume with white astragals. A reconstruction, faithful to the original choreography, musical score, scenery and costumes, has been attempted (Susanna Della Pietra, 2008). [PK, CSz, NM]
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